Kategori: Slet

from barbie as princess adn the pauper

Straight from London – Video stream

Big City Life
Me try fi get by,
Pressure nah ease up no matter how hard me try.
Big City Life,
Here my heart have no base,
and right now Babylon de pon me case.

#mattafix #bigcitylife

Ronald~~~~~ nice song!!!!

iPod commercial to Jets Hit Song Are You Gonna Be My Girl!!

iklan raya petronas 2005

Kingdom Hearts 2 trailer that is awesome!It has their voices on it!
All characters and images property of Square Enix.

First scene of the Shadow the Hedgehog game.

https://www.facebook.com/MooncricketFilms
http://www.mooncricketfilms.com/
The original closer video 2001 directed by Beto”Mooncricket”Lopez

As you can see below this video was made by accident. I was making an EPK for Goapele before she got signed by Sony BMG and I just made it up as we were on the road I would just have them stop the car and we ghetto styled it and when I saw the shot I liked when the sun was just right. Everything you see in the video is all natural and no effects. Just simple editing and the way I see things when I shoot on the fly.

I’m a one man crew and don’t need a fancy crew to create my art.

Blessings
Mooncricket
www.myspace.com/mooncricket

“Tarzan Boy” is the debut single by Italian-based act Baltimora. The song was written by Maurizio Bassi and Naimy Hackett, and released in 1985 as the lead single from Baltimora’s debut album Living in the Background. The song was re-recorded and released in 1993, and has been covered by several artists throughout the years.

«Tarzan Boy» es una canción y sencillo de 1985 del género italo disco grabado por el grupo musical italiano Baltimora. Fue publicada en abril de ese año, bajo la etiqueta discográfica Columbia/EMI Records (Europa) y Manhattan Records (Estados Unidos) y compuesta por el dúo Maurizio Bassi y Naimy Hackett. Como lado B se incluyó una versión alternativa de DJ de la misma canción.

«Tarzan Boy» fue el primer sencillo del grupo, extraído de su álbum debut Living in the Background, en el que figura como primera pista. Sin embargo, fue el único éxito que lograron, a nivel internacional. En Estados Unidos y el Reino Unido son considerados un ”one-hit wonder”

▶PLEASE READ:

I don’t own anything in the video, including the audio and picture. The credits go to the respective owners. This video is purely fan-made, and will not be used for profit or illegal sharing.

This is the original music video, now with more than 2 million views, but it has been remastered and can be viewed at high resolution with all music videos by director David Herrera here: https://vimeo.com/channels/rebus101

It was named by Paste Magazine as one of the Best Music Videos Of The Decade:
http://www.pastemagazine.com/blogs/lists/2009/11/apologies-to-kanye-but-while.html

“Like” David Herrera on Facebook here:
http://www.facebook.com/rebus101

For music video project inquiries contact David Herrera’s Production Company:
http://www.rebus101.com
*NO FREE MUSIC VIDEO REQUESTS!

ABOUT REBUS101:
“Quality, originality, consistency.” – David Herrera
Rebus101 is the graffiti “pen name” for musician, graphic novelist and filmmaker David Herrera. He began making films at University of California, Berkeley’s Film Department with Cannes & Sundance winner Rob Nilsson, co-writing the GreenCine Film Festival Award winning feature film “Security”. Herrera was soon accepted at Tisch (NYU Film School) where he wrote, produced, and directed an unofficial music video for Radiohead’s “How To Disappear Completely” which continues to attract more than a million YouTube views and excellent viewer ratings. Hired out of film school by music video veteran Bill Fishman, Herrera co-wrote the concept for the music video remake for Rick Springfield’s “Jessie’s Girl” and went on to produce a music video for David Byrne’s record label artists Zap Mama and Erykah Badu. Herrera formed his own production company Rebus101.com in 2004.
Herrera currently directs music videos for recording artists such as Rye Rye, Diplo, Andrew Bird, members of The Black Keys, The Killers, Of Montreal, The Decemberists, the Musical Director for Beyoncé, as well as selected independent recording artists. Herrera works with both Video Commissioners at major and independent record labels as well as directly with musicians to create video concepts that are spectacular, memorable, and thought-provoking. Herrera’s highly conceptual work has been exhibited at Berkeley Art Museum, Pacific Film Archive, and Museum Of Contemporary Art, Los Angeles. He has been profiled in Rolling Stone, Lively Magazine, MVDB.com, The Huffington Post, and Paste Magazine which recently named one of his productions among “The Best Music Videos Of The Decade”. He also currently teaches the first class ever offered by UCLA in Music Video Production, all while developing his graphic novel GÖLDEN into a musical feature film.